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a painter, brush in hand, in his dark little studio, looking out at the viewer, dramatically lit from the right

INTERIORS

experiments in light and colour

When I first had the luxury of making paintings purely for their own sake I had a little basement studio in Bath with a low ceiling and almost no natural light. I was excited about what I could do with what I saw in the mirror and the way the studio was transformed by the way it was lit.

 

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A member of The Royal Society of Portrait Painters and New English Art Club

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